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It’s totally worth the effort, though, and if they’re a band you’ve occasionally thought you’d probably like but never got round to, Sober makes a perfect starting point. Jones is both a classically-trained musician and an artist. It is their first industry single and first music video release from their second major label album Ænima. 0.22 Nothing other than the door is moving, and it’s all a bit surreal, and that person isn’t a real person, and what’s going on? 5.05 [7] When introducing the video, VJ Kennedy would also sniff her clenched fist dramatically before saying "Track #1". An interview with Dr. John Covach, music professor at the University of Rochester whose free online courses have become wildly popular. 0.39 The Tool frontman raises his wines on a diet of King Diamond, AC/DC and KISS…, Funds raised in memory of the late Power Trip singer will help provide a home for those who need it in Dallas’ LGBTQ+ community, This website requires Javascript to be enabled. Giger. ... Stinkfist IS talking about anal fisting, but that is just a medium to describe much deeper issues that go from loneliness, meanings of human existence, purposes and goals in life, even love. A full band, full production performance from post-grunge icons Bush, Maynard James Keenan Plays King Diamond And KISS To His Grapes, Power Trip’s Riley Gale Has LGBTQ+ Centre Named In His Memory. Maynard James Keenan is, in all likelihood, the most interesting man in metal. [7] Matt Pinfield, the host of 120 Minutes, responded on air to the lot of email complaints received from fans by saying there was nothing he could do about it. He may be using this act of constant sexuality as a metaphor - possibly looking at how people will find something they like and then do it over and over again and eventually go on farther and farther until they can't turn back. That bass is the work of Paul D’Amour, who left Tool after Undertow (the album Sober is on) out of a desire to play guitar rather than bass, replaced by Justin Chancellor, Tool’s sole British member. The bad news? Charlie discusses the songs that made him a Southern Rock icon, and settles the Devil vs. Johnny argument once and for all. 3.37 Another race of mutants has entrails that are plugged into a wall. Keenan said the use of the words "stink" and "fist" and the resulting perception of "fist fucking" is actually symbolic in dealing with a friend of drummer Danny Carey who "isn't afraid of getting his hands dirty" rather than a "write-off" of the sexual term. The powerhouse producer behind Janet Jackson's hits talks about his Boyz II Men ballads and regrouping The Time. The video begins with a shot of an empty jar, electrical currents and a television screen covered in dust with the album cover "Smoke Box" appearing on it. Clearly, he's talking about putting his arm in something. [8], For the 1987 EP by Lydia Lunch and Clint Ruin, see, "The 10 Best Alternative Metal Singles of the 1990s", "Seriously F*cked-Up Videos! You hear a line like ‘Jesus, won’t you fucking whistle?’ and think, ‘Hang on, what did he say?’ and look for the lyrics in the CD booklet (well, you did when they were a thing), but nope! Let’s take a look! 1.37 Beginning in the make-up industry, he later became a sculptor and learned about stop-motion animation, something he would use in this video as well as those for Prison Sex, Stinkfist… A fleeting almost-glimpse of drummer Danny Carey, there. The first country song to win a Grammy for Record of the Year was "Not Ready To Make Nice" by The Dixie Chicks in 2007. It took a month to do the animation, with Jones recalling: “We wanted to take as much time and effort making the video as we did the song. Here is a 10-minute examination by vocal coach Beth Roars of exactly why Keenan is so good: One of her standout comments: “It really [feels] like the bottom of a human soul.” It’s a pretty ace video, in that it goes from her being like, ‘Here’s a band I’ve vaguely heard of’ to pretty much planning a giant Tool back tattoo in a few short minutes. This means buying music. 1.22 Stinkfist is about all the stuff our minds are exposed to by the media in modern society. "Stinkfist" is a song by the American rock band Tool. Stop-motion animation is amazing – that rippling of the fabric on the figure’s back is from it being moved by hand in every frame. While he said "if you don't know the name of the song, go out and buy the album," he was waving his fist in front of his face. [citation needed], The music video for "Stinkfist" was created with stop-motion animation techniques, and was directed by the band's guitarist Adam Jones (who had previous experience in art direction and animation). The singer/bassist for Concrete Blonde talks about how her songs come from clairvoyance, and takes us through the making of their hit "Joey.". The video was ranked at number six in a feature on Scuzz of viewer's top 50 music videos of all time, and number one in its list of the "Top 10 Most F*cked Up Videos". As well as a lot of the band coming from art backgrounds so having ambitious ideas, Keenan particularly has an unusual relationship with the spotlight. If you become addicted and a junkie, well, that’s your fault.”, 1.45 [5] Keenan would introduce the song during the Ænima tour as "about choosing compassion over fear". What’s actually going on, then? They suck on tubes and swallow nails and wires that apparently hurt them and are eject… That was Sober. Maynard James Keenan’s vocals can polarise people at first, but tend to be a case of, the more you hear, the more you like. The video begins with a shot of an empty jar, electrical currents and a television screen covered in dust with the album cover "Smoke Box" appearing on it. The song is about (and sung from the perspective of) a friend of the band’s who was only fun and creative when he was drunk, hence, ‘Why can’t we not be sober?’ In an interview, Jones described it: “The song and video are based on a guy we know who is at his artistic best when he’s loaded. To get our kicks now we need something more. Keenan firmly believes that most fans won’t ‘get’ the lyrics anyway, so doesn’t see the point in providing them. 0.55 Shoulder deep within the borderline." Despite fronting Tool and A Perfect Circle, he’ll spend huge chunks of gigs with his back to the audience or hiding in the shadows. D’Amour had met Jones through also working in art departments in the film industry. Depending on your perspective of this song, it may or may not have sexual meaning. Beginning in the make-up industry, he later became a sculptor and learned about stop-motion animation, something he would use in this video as well as those for Prison Sex, Stinkfist, Ænema, Schism, Parabola and Vicarious.

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